The idiots by Lars von Trier.
Set in present-day Denmark, it begins with a chance encounter between the timid Karen and a group of drop-outs engaged in a strange, informal experiment where they pretend to be mentally disabled. Initially shocked, Karen finds herself compelled to stay and eventually joins them in the experiment. However, as the group's acts of 'idiocy' grow more extreme, and the reality of the outside world becomes more intrusive, the border between liberation and self-destruction begins to blur.
The film is influenced by the realist Dogme 95 movement. This movement was an avant-garde filmmaking movement started in 1995 by the Danish directors Lars von Trier and Thomas Vinterberg, who created the "Dogme 95 Manifesto" and the "Vow of Chastity". These were rules to create filmmaking based on the traditional values of story, acting, and theme, and excluding the use of elaborate special effects or technology.[1] They were later joined by fellow Danish directors Kristian Levring and Søren Kragh-Jacobsen, forming the Dogme 95 Collective or the Dogme Brethren. Dogme is the Danish word for dogma.
The genre gained international appeal partly because of its accessibility. It sparked an interest in unknown filmmakers by suggesting that one can make a recognised film of a quality to gain recognition, without being dependent on commissions or huge Hollywood budgets. The directors used European government subsidies and television station funding instead. If you want to know more about Dogme 95 check: http://en.wikipedia.org/wiki/Dogme_95
The idiots was nominated for Best Film, for instance Cannes or Valladolid, and won the FIPRESCI prize in Lodon Film Festival (1998).
The film provoked a storm of publicity and debates.
"The Idiots suggests that if Danish iconoclast Lars von Trier's filmsare getting tougher, they're also continuing to reward the patient". Kevin Thomas. Los Angeles Times. 14/02/2001.
See the trailer: http://www.youtube.com/watch?v=lr1vPnJebgk
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